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Color was my first language, learned as a child on hikes through the Italian countryside. Later, I spent 20 years translating that obsession into film: grading for Netflix, HBO, restoring Woody Allen's work, training at Company 3 in New York with some of the best colorists in the world.
As the landscape of post-production evolved, I've embraced AI tools and generative AI to revolutionize my workflow. I now leverage cutting-edge technology to accelerate editing, enhance color work, and deliver faster turnarounds without compromising quality. My expertise as an editor and post-production consultant has expanded significantly through these innovative tools. I am able to take on more projects, work more efficiently, and push creative boundaries in ways that weren't possible before.
So I'm back where I started: with a paintbrush. Same eye, same training, different medium. The color theory I learned in dark grading suites now lives in my hands. Every painting carries two decades of professional color work, now expressed through pigment and canvas instead of pixels.
I'm available worldwide remotely to make your project a real piece of art.
CLIENTS and BRANDS:
Netflix, HBO Max, Amazon Prime Video, Criterion Channel, The History Channel, A&E, Vice, Discovery, ESPN, Ford, Michael Kors, Carolina Herrera, Alexander Wang, Tiffany, Angel Chen, Ancestry, Mass Appeal, The Smithsonian, Rai Cinema, PBS, General Electric, Arm & Hammer, Dayforward, American Ballet Theatre, L'Officiel, Sabra, Victoria Secret, Kiwi Botanicals, Young Nails, Etsy, Planters, Cricket Wireless, George Romero Foundation.
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